Animals in Captivity Essay

Animals in captivity traditionally comprised an integral part of human culture because people were accustomed to keep animals in captivity as the sheer entertainment or for other purposes. However, today, animal in captivity become rather an exception than a norm because of changes in the contemporary culture and the change in the attitude of people to their environment and to animals in captivity. Today, people become more and more concerned with the environment protection that leads to the refusal from keeping animals in captivity to the extent that even large theme parks like SeaWorld refuse from animals in captivity, like whales.

The decision of SeaWorld to refuse from whale breeding was driven by profound changes that take place in the contemporary society and culture and the growing criticism from the part of the public. SeaWorld was traditionally focused with the environment protection and attempted to be as close to nature as possible (Whiting, 2013). The company focused on the protection of the wild animals and helped animals in need. In such a situation, whale breeding became a part of the long-run program of the theme park to save whales and to preserve them in the wild nature.

However, the program of whale breeding involved whales that were kept in captivity that evoked the growing criticism of the company from the part of the public. People criticized SeaWorld for the unethical practice of keeping animals in captivity. In response, the company attempted to justify its practices by the desire to save whales from the death and disappearance in the wild nature, but the further development of the contemporary culture and the strengthening belief that animal captivity brings no good to whales ultimately urged the company to refuse from the practice of whale breeding.

The decision was challenging for SeaWorld but essential because whales attracted the public to the theme park, but, at the same time, they became the major driver of the negative publicity of the theme park. In such a situation, people did not admire SeaWorld anymore because they did not view the company as the organization that attempts to save whales from extinction and disappearance in the wild nature (Perry, 1998). Instead, people have started to view SeaWorld as the organization that kept animals in captivity and attempted to earn profits from such practice. In such a context, SeaWorld became vulnerable to the severe criticism and its whale breeding program became the subject to criticism rather than admiration as it used to be in the past.

The criticism of the whale breeding program was the result of the detailed study of the life of animals in captivity and the revelation of its drastic difference from the life of animals in their natural environment. People have started to view the life of animals in captivity as unacceptable practice because animals in captivity lead the life that was different from their life in natural conditions (Parsons, 2011). As a result, people grew convinced that the life of whales in captivity in terms of the whale breeding program was challenging for whales and caused sufferings of whales, who were deprived of their natural freedom from the first days of their life and grew up in captivity for the sheer entertainment of the public (Mieszkowski, 2009).

As a result, SeaWorld had to refuse from its whale breeding program to put the end to the practice of keeping and raising whales in captivity and to contribute to their liberation and breeding the population of whales in the wild nature as the alternative to its conventional whale breeding program oriented on breeding whales in captivity.


Mieszkowski, K. (August 7, 2009), “Dolphins Are Dying to Amuse Us”, Salon. Retrieved from

Parsons, E. C. M. (2012). “Killer Whale Killers”. Tourism in Marine Environments. 8 (3), 153–160.

Perry, T. (1 April 1998). “Rescued Whale J.J. Begins Long Journey Home”. LA Times. Retrieved from

Whiting, C.C. (2013). In the Wake of Blackfish — Is it Time to Retire the Last Killer Whale Whose Capture Was Shown in the Film?”,, Inc. Retrieved from

The terms offer and acceptance. (2016, May 17). Retrieved from

[Accessed: October 27, 2021]

"The terms offer and acceptance.", 17 May 2016.

[Accessed: October 27, 2021] (2016) The terms offer and acceptance [Online].
Available at:

[Accessed: October 27, 2021]

"The terms offer and acceptance.", 17 May 2016

[Accessed: October 27, 2021]

"The terms offer and acceptance.", 17 May 2016

[Accessed: October 27, 2021]

"The terms offer and acceptance.", 17 May 2016

[Accessed: October 27, 2021]

"The terms offer and acceptance.", 17 May 2016

[Accessed: October 27, 2021]
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